I began my journey in photojournalism, chasing real moments in real time. Marches, protests, political movements, sports events, and public life shaped how I saw the world.
I was drawn to places where history was unfolding without permission, where nothing could be directed or repeated. That discipline taught me patience, empathy, and the responsibility of witnessing. I was mentored by Raghu Rai, whose approach reinforced the idea that photographs are not made, they are earned. That foundation continues to guide my work, regardless of the genre.

Over time, my curiosity shifted inward, from events to people. From crowds to individuals. From urgency to intimacy. Dance became a bridge in that transition, allowing me to explore movement, emotion, and rhythm beyond reportage. Eventually, weddings, portraits, and lifestyle work followed, not as spectacles, but as deeply human narratives. I once struggled to imagine myself shooting weddings.

Today, I enjoy them — but on my own terms. I don’t chase rituals; I observe relationships. I don’t stage emotions; I wait for them. For me, weddings are not events, they are intersections of lives, histories, and quiet moments that deserve sensitivity.

Across every format, journalism, dance films, weddings, portraits, or brand work, my approach remains the same. I work closely, plan deeply, and listen carefully.

Everything I create is shaped by time, trust, and attention, values that continue to evolve, just as I do.